(Ola)
i design
identities
that
hold up
after
the trend
that
inspired
them
is gone.
[ Selected work ]
[ 01 ]
British Kids — Kindergarten, Warsaw
Brand identity at the Seeds Marketing agency — design lead
Identity and four named mascots for an English-language kindergarten in Warsaw. Calm for the parents, characters for the kids — Blujit, Teek, Artzo and Pixie ended up on the walls and the T-shirts
→ Behance · Case study
→ Behance · Case study
[ 02 ]
Royal Auto Club — Auto retail
Brand identity at the Seeds Marketing agency — design lead
Identity for a car dealer, built to read from across a parking lot. One acid green, a crown reshaped into a road, three logo lockups. Now running across a 73-car showroom site, four social channels, flags, uniforms and air fresheners
→ royalautoclub.com.ua · Site
→ royalautoclub.com.ua · Site
[ 03 ]
Vienna Tailored Concierge — Hospitality, Vienna
Identity, landing page design and information architecture for a private city concierge. Three languages, one register: discreet, warm, never loud
→ viennaconcierge.com · Site
→ viennaconcierge.com · Site
[ 04 ]
Good Girls Kitchen — Food
Brand identity at the Seeds Marketing agency — design lead
A complete identity for a small-batch ice cream brand: a GG monogram built like a tree, a geometric deco wordmark, checkerboard patterns, line illustrations and packaging with swappable flavour stickers. Built to launch, never launched — still available to whoever wants it
→ Behance · Case study
→ Behance · Case study
[ 05 ]
E-Hub Energy — Energy storage, Poland
Brand identity at the Seeds Marketing agency — design lead
A full design system around a locked trademark logo: grid, type, colour, iconography, datasheets, product photography language — plus two exhibition stands. Industrial-scale B2B across four languages.
→ Instagram
[ 06 ]
Radioola — Editorial design, self-initiated
Covers and slides for my own podcast on art and design. Art history as the subject, typography as the tool
→ youtube @radio_ola
→ youtube @radio_ola
[ About ]
I'm Olga. I trained as a civil engineer before I trained as an art historian, and I design like both.
The engineering gives me structure — systems that hold, rules that survive contact with a real client. The art history gives me the eye, and the reason behind the choice.
I work with founders and small teams: people who decide in the room, not across six meetings. Identity, visual systems, rebranding. Occasionally a lecture.
Some of the work above was made at the Seeds, where I led design.
The rest is mine directly.
The engineering gives me structure — systems that hold, rules that survive contact with a real client. The art history gives me the eye, and the reason behind the choice.
I work with founders and small teams: people who decide in the room, not across six meetings. Identity, visual systems, rebranding. Occasionally a lecture.
Some of the work above was made at the Seeds, where I led design.
The rest is mine directly.
[ How it works ]
How this goes
Six steps, starting from zero. The first one is yours.
.
.
[ 00 ]
Write
Send the project and the deadline. I answer in two working days and tell you straight if I'm not the right fit.
.
.
[ 01 ]
Research
Category, competitors, what the client actually sells. I read before I draw.
.
.
[ 02 ]
Direction
Two or three routes, each with a reason. You choose a direction, not a picture.
.
.
[ 03 ]
System
Logo, type, colour, grid. Rules that hold when I'm not in the room.
.
.
[ 04 ]
Application
Packaging, signage, social, web. The places the brand actually lives.
.
.
[ 05 ]
Handover
Files, guidelines, and someone on your team who can use them.
.
